Mycenaean pottery has been
used as a marker in ancient Italian history and archaeology to map the culture
spread and interactions around the Aegean and Central Mediterranean. As evidence of trade and exchange, Mycenaean
pottery appears in local contexts that belong to a completely different pottery
tradition.[1] Examples of these differences can be seen in
the way that the pottery was made.
Mycenaean pottery was wheel-made from levigated clay, painted
decoration, and fired in high-temperature kilns. The local pottery, or impasto, was hand-made from heavily tempered clay, had burnished
surfaces, and were either left plain or decorated with incised patterns and
fired at low temperatures.[2] Through studies of the pottery found in the
central Mediterranean area, it has been found that the Mycenaean pottery is the
distinction between locally made Aegean-type pottery and that which was
imported and traded.[3]
To further the evidence that
Mycenaean pottery and the central Mediterranean pottery were actually
different, there has been a new method of analysis developed in the last ten
years called physico-chemical analysis.
This new analysis has managed to integrate some of the more traditional
methodological tools that were being used by archaeologists. The research started out with just a few
limited sites being used to trial the validity of the process, and after a time
it has now grown into a large database that includes data from several dozen
sites. As Vagnetti stated, one major
result of the application of physico-chemical methods to the study of Mycenaean
pottery from the central Mediterranean has been the distinction between it and
the locally made Aegean-type pottery.[4]
The research analysis into
the differing types of pottery is important because of just how large and
diverse the nature of evidence regarding the Mycenaean pottery in the Central
Mediterranean is. There has been
evidence of Mycenaean pottery in 78 different sites.[5] This shows that Mycenaean pottery is
common. It is known over several
centuries, through the duration of the Mycenaean civilisation, and its
distribution covers a large part of southern Italy, Sicily, Sardinia and the
minor islands.[6] The spatial distribution of both the
Mycenaean and the Aegean-type pottery found in the central Mediterranean varies
considerably during different phases.[7] There is also Mycenaean pottery found in
local settlement ruins and cemeteries, and it is a larger percentage than
normally would be expected to be found in these areas as well.[8]
Vagnetti spends a lot of
time examining Broglio di Trebisacce in detail because he finds it logical to
examine a site where pottery has been examined archaeometrically as well as by
more traditional methods.[9] Some of the reasons that Vagnetti discusses
Broglio di Trebisacce is because there are only two case studies to choose
from, and the other one is Vivara. Vivara is an early site where all the fine
ware of Mycenaean and Aegean-type is imported and archaeometric research that
has been performed on the impasto materials has yet to be published.[10] Further to this, Broglio is also the more
appropriate example because its life spans a fairly long period, starting in
the Middle Bronze Age and continuing through to the Late and Final Bronze Age
and Iron Age, which also overlaps with the early Greek Colonial period.[11] Another reason for studying Broglio di
Trebisacce is that there has been a large-scale systematic survey that has
outlined the regional patterns of the settlements in the Bronze Age and Early
Iron Age, and the reports from the excavations done from 1979AD-1985AD are
published and available.[12]
The site of Broglio also
provides information showing that there was a relationship with the Aegean
mostly through the pottery. Mycenaean
pottery appears in the early phase of LH IIIA and continues through LH IIIC.[13] Also, apart from limited numbers of Mycenaean
pottery shards from the Aegean, there is a significant local production of
pottery in Mycenaean technology and style, and this has been identified via the
archaeometrical and archaeological studies.[14] Further, when the locally made Mycenaean
pottery is compared with the changes in the Aegean pottery over time, the
changes in the two styles are concurrent to each other decoratively, and thus
shows that there was continuing contact between the two areas.[15] Lastly, there were other pottery fabric
technologies that were common to the Aegean that are present at Broglio di
Trebisacce and other regional sites.[16] The most desirable features for a site like
this, however, are missing. These
features are namely production sites, kilns, and the ability to reconstruct production
processes from the consumed objects.[17]
Vagnetti draws from studying
Broglio di Trebisacce the conclusion that local production of Mycenaean pottery
to begin with implied some movement of specialised craftsmen from the Aegean to
peripheral areas, perhaps seasonally.[18] Vagnetti also believes that this implies that
there were different workshops in existence in different locations.[19] Lastly, the production of the large
containers and the introduction of ceramic technology from the Aegean was most
likely in relation to the new-found storage needs from agriculture, which was
also affected by the Aegean connection.
These claims are supported by the introduction of Dolia, and is believed
to be in relation to storing olive oil or wine.[20]
Bibliography
Vagnetti,
L. (1999). 'Mycenaean
pottery in the Central Mediterranean: imports and local production in their
context', in Crielaard, J. ed., The Complex Past of Pottery.
Production, Circulation and Consumption of Mycenaean and Greek Pottery. Pp. 137-61.
[1]
Vagnetti, L. ‘Mycenaean Pottery in the
Central Mediterranean’, p. 137
[2]
Ibid
[3]
Ibid, p. 138
[4]
Ibid
[5]
Ibid, p. 140
[6]
Ibid, p. 137
[7]
Ibid, p. 138
[8]
Ibid, pp. 141-142
[9]
Ibid, p. 142
[10]
Ibid, p. 143
[11]
Ibid
[12]
Ibid
[13]
Ibid
[14]
Ibid
[15]
Ibid, p. 144
[16]
Ibid
[17]
Ibid, pp. 145-148
[18]
Ibid, p. 148
[19]
Ibid
[20]
Ibid, p. 149
No comments:
Post a Comment